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Impressively detailed book paintings by Pierpaolo Rovero (pictures)
No view is more beautiful than the space full of books. Turin-based cartoonist and illustrator Pierpaolo Rovero will let you enjoy this view to the fullest. Just have a look at the series of his masterful paintings.
Rovero prepares the paintings in a unique way. First, he creates the digital artwork. Then he prints it using a special technique – the file is being damaged to achieve the desired effect. Finally, he retouches the work with a stylus.
Below, you’ll see a selection of paintings that put books in the center – actually everywhere.
To fully admire the visuals, you should visit the artist’s portfolio and use the zoom-in option to take a closer look at the details. On Pierpaolo Rovero’s Facebook profile you’ll also see examples of preparatory works.
Book paintings by Pierpaolo Rovero
1
Present past future, 90 × 117 cm.
2
Just to be close to you, 100 × 175 cm.
3
The ineffable destiny in silence, 170 × 100 cm.
4
Ebony, 120 × 120 cm.
5
The slippery note in silence, 170 × 100 cm.
6
Hell and redemption, 170 × 100 cm.
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About Ola Kowalczyk
As a frequent visitor of her favorite local library, Ola is particularly interested in how books and libraries evolve in the digital age. Ebooks, print, audiobooks – for her, all books are equal.
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Impressively detailed book paintings by Pierpaolo Rovero (pictures) https://ebookfriendly.com/book-paintings-pierpaolo-rovero-pictures/ via @ebookfriendly
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Instead of comments
The Ballad of Songbirds and Snakes
The Hunger Games Prequel
by Suzanne Collins
Part 1: The Mentor
Coriolanus released the fistful of cabbage into the pot of boiling water and swore that one day it would never pass his lips again. But this was not that day. He needed to eat a large bowl of the anemic stuff, and drink every drop of broth, to prevent his stomach from growling during the reaping ceremony. It was one of a long list of precautions he took to mask the fact that his family, despite residing in the penthouse of the Capitol’s most opulent apartment building, was as poor as district scum. That at eighteen, the heir to the once-great house of Snow had nothing to live on but his wits.
His shirt for the reaping was worrying him. He had an acceptable pair of dark dress pants bought on the black market last year, but the shirt was what people looked at. Fortunately, the Academy provided the uniforms it required for daily use. For today’s ceremony, however, students were instructed to be dressed fashionably but with the solemnity the occasion dictated. Tigris had said to trust her, and he did. Only his cousin’s cleverness with a needle had saved him so far. Still, he couldn’t expect miracles.
The shirt they’d dug from the back of the wardrobe—his father’s, from better days—was stained and yellowed with age, half the buttons missing, a cigarette burn on one cuff. Too damaged to sell in even the worst of times, and this was to be his reaping shirt? This morning he had gone to her room at daybreak, only to find both his cousin and the shirt missing. Not a good sign. Had Tigris given up on the old thing and braved the black market in some last-ditch effort to find him proper clothing? And what on earth would she possess worth trading for it? Only one thing—herself—and the house of Snow had not yet fallen that far. Or was it falling now as he salted the cabbage?
326 words read…
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Devices are not dangerous for literature. People can be dangerous for literature. People, for example, who do not read.
– László Krasznahorkai –
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