Devices are not dangerous for literature. People can be dangerous for literature. People, for example, who do not read. – László Krasznahorkai

Big Magic: Creative Living Beyond Fear

by ELIZABETH GILBERT

Once upon a time, there was a man named Jack Gilbert, who was not related to me – unfortunately for me. 

Jack Gilbert was a great poet, but if you’ve never heard of him, don’t worry about it. It’s not your fault. He never much cared about being known. But I knew about him, and I loved him dearly from a respectful distance, so let me tell you about him.

Jack Gilbert was born in Pittsburgh in 1925 and grew up in the midst of that city’s smoke, noise, and industry. He worked in factories and steel mills as a young man, but was called from an early age to write poetry. He answered the call without hesitation. He became a poet the way other men become monks: as a devotional practice, as an act of love, and as a lifelong commitment to the search for grace and transcendence. I think this is probably a very good way to become a poet. Or to become anything, really, that calls to your heart and brings you to life.

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